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A woman who didn't belong
by Paul Risker
Anna Cazenave Cambet on working with Vicky Krieps in Love Me Tender
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A dialogue of parchment and celluloid
by Jennie Kermode
Jean-Jacques Annaud on Umberto Eco and The Name Of The Rose
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Vampire party
by Jennie Kermode
Nicky Murphy, Aminata Thiboult, Leonor Oberson and Louiza Aura on I Love Paris
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Teenage dreams
by Paul Risker
Fernando Eimbcke and Aivan Uttapa on creative insanity, on-set dynamics and Olmo
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Freedom fighter for the female gaze
by Richard Mowe
Love Me Tender director Anna Cazenave Cambet on sexuality, motherhood and gender balance
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Spirited animals
by Amber Wilkinson
Meriem Bennani and Orian Barki on making animation Bouchra
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Drinking to victory
by Jennie Kermode
Diego Fuentes on the wild, unlikely journey of punk student film Matapanki
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Stay-at-Home Seven: August 3 to 9
by Amber Wilkinson, Jennie Kermode
Films to stream or watch on TV this week
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Bit by the bug
by Jennie Kermode
Angus Silver on the imagery, music and creepy crawly wonders of Insectasy
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Precision filmmaking
by Paul Risker
Casey Walker on setting rules, layering complexity, and making Home Bodies
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A dangerous woman
by Jennie Kermode
Rebecca De Mornay on finding characters' truth and making The Gentleman Thief
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Divine transformation
by Jennie Kermode
Eriko Katagiri on the itako tradition and When You Open The Door
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Learning to let go
by Jennie Kermode
Gloria Mercer and Bethany Brown on filming sex, drugs and A Safe Distance
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Framing a feature
by Amber Wilkinson
Michele Fiascaris on expanding his short Rain Catcher into a rain-slicked noir thriller
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A heroine of the people
by Jennie Kermode
Avid Liongoren on the Filipino animation industry and Zsazsa Zaturnnah
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The girl who didn't want to be happy
by Jennie Kermode
Julien Birban Levy on the spirit of Seoul and getting inside the head of Niko
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Stay-at-Home Seven: July 27 to August 2
by Amber Wilkinson, Jennie Kermode
Films to watch on telly this week
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Spirit of the art
by Jennie Kermode
Takeru Shinozuka and Yoshihide Moriyama on animation and Foxing: Kitsuné-Tsuki
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Colouring outside the lines
by Jennie Kermode
Harrison Atkins on guerilla filmmaking, expanding options in cinema, and Sour Minnows
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The yearning
by Paul Risker
Corrin Evans, Lily Cowles, Jeff Wahlberg and Michael Vlamis on Corpus
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Levelling up
by Jennie Kermode
Saïd Boumazoughe and Bob Colaers on Attack On Paradise
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Two roads, diverged
by Jennie Kermode
Pascale Bussières and Wiebke von Carolsfeld on Someone’s Daughter
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Gangster on the dancefloor
by Jennie Kermode
Yu Nakamoto and Akito Fujii on dancing, fighting and Break Free
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Stay-at-Home Seven: July 20 to 24
by Amber Wilkinson, Jennie Kermode
Films to stream or watch on TV this week
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A graveyard smash
by Jennie Kermode
Larry Fessenden and Aitana Doyle discuss Trauma Or, Monsters All
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Inside the box
by Jennie Kermode
Mark H Rapaport on controlling environments, hidden truths and Godhead
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Personal monsters
by Jennie Kermode
Tim Riedel on exploring idigenous trauma through horror in Ancestral Beasts
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Creature feature
by Jennie Kermode
Nick Taylor on Rubberhead: The Life & Monsters Of Steve Johnson
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Stories and communication
by Paul Risker
Marc Isaacs on generative AI, people playing themselves, and Synthetic Sincerity
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Baptism for child of cinema
by Richard Mowe
Karlovy Vary’s best director Mads Mengel on family, fatherhood and casting
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Stay-at-Home Seven: July 13 to 20
by Amber Wilkinson, Jennie Kermode
Films to stream or watch on TV this week
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Fantasia 2026: our pick of the pictures
by Jennie Kermode
Fabulous films to look out for at this year's edition
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Producer with the skills of a diplomat
by Richard Mowe
Greg Shapiro on the journey from The Hurt Locker to Harold & Kumar
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Open Invite
by Edin Custo
Olivia Wilde on reinvention, improvisation and why her latest movie had to be shot on film
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Because of a book
by Paul Risker
Eran Riklis on adapting Azar Nafisi's Reading Lolita In Tehran
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On the edge
by Paul Risker
Robert R Palmer and Hazel McKibbin on Last Man Up
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Finding truth
by Jennie Kermode
Lou Diamond Phillips on getting interesting roles and starring in Gangland
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Body, heart and mind
by Paul Risker
Leah Nelson on memory loss and making Tangles
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Starring role for a 'reluctant' award winner
by Richard Mowe
Karlovy Vary turns spotlight on genius behind the lens Robert Richardson
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Stay-at-Home Seven: July 6 to 12
by Amber Wilkinson, Jennie Kermode
Films to stream or watch on TV this week
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Why it’s not all about Jesse
by Richard Mowe
Eisenberg on talking too much, keeping off the internet and staying creative
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Hoffman still working out life’s mysteries
by Richard Mowe
Eternal star of The Graduate receives top Karlovy Vary accolade
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Pilgrims' progress
by Jennie Kermode
David Andrew Ward on capturing spiritual journeys in Human Tide
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Telling tales
by Paul Risker
Alex Vlack on comedy, cruelty, moral rationalisation and The Revisionist
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Invisible crisis
by Jennie Kermode
Seemab Gul on a scandal in education, and making her first feature, Ghost School
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Putting a festival in the frame
by Amber Wilkinson
Georgis Grigorakis on shooting a hybrid documentary about Thessaloniki Film Festival
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Encouraging reel growth
by Amber Wilkinson
How Spanish/Greek co-production Yerma took root at the Evia Project
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Age and urgency
by Paul Risker
Daniel Talbott and Andrew Klaus-Vineyard on Welcome To Tool Shed
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Stay-at-Home Seven: June 29 to July 5
by Amber Wilkinson, Jennie Kermode
Films to watch on TV or stream this week
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Little games
by Paul Risker
Alicia Scherson on adapting Bolaño and making The Summer War
